PODCAST: "Stage Left: The Podcast" Episode 5: Mack and Mabel, Darling Grenadine, and West Side Story

On this episode of “Stage Left: The Podcast”, anchor Rob Russo is joined by Hayley Levitt, theatre critic and associate editor at Theatermania.com, and Jose Solís, freelance theatre critic, writer, and podcaster, for a roundtable conversation about three musicals: “Mack and Mabel”, “Darling Grenadine”, and “West Side Story”.

REVIEW: “Girl from the North Country”

Deeper cuts from the Bob Dylan songbook are roughly interpolated into “Girl from the North Country”, a new musical by Irish playwright and director Conor McPherson. Heavy on mood, this original Depression-era story offers a compelling look at a mélange of ordinary, forgotten people on the margins of low-rent society, but the effort is hampered by Mr. Dylan’s anachronistic songs and their poor integration into the plot. This one left me chilly and detached.

"The Inheritance" will close March 15th; "Beetlejuice" eyes the Ethel Barrymore Theatre; "To Kill a Mockingbird" makes history with Madison Square Garden performance; Greg Kinnear is the next Atticus Finch; Tony Yazbeck to direct a Frank Wildhorn’s "The Civil War"; Sophia Anne Caruso abruptly departed “Beetlejuice"; NYTW’s "Three Sisters" will feature an adaption by Clare Barron; Cassie Beck will star in the next segment of the national tour of "What the Constitution Means to Me"; and "Ink" will be adapted for the big screen

REVIEW: An astonishingly re-imagined “West Side Story” for the 21st Century demands to be seen

Belgian auteur Ivo van Hove presents a reimagined version of “West Side Story” for the 21st Century; employing his signature style of theatremaking, this production is thrilling and revelatory, breathing new life into a beloved classic with new choreography, precision cuts to the text, new orchestrations, a superb ensemble cast, and groundbreaking use of video and live filmmaking. The result marks a true summit of achievement in theatre-making and a highlight in a lifetime of theatergoing. It demands to be seen.

REVIEW: “The Unsinkable Molly Brown” Sinks

Transport Theatre Group Company presents the first New York revival of “The Unsinkable Molly Brown”, featuring a new book by Dick Scanlan. Despite an energetic star turn by Beth Malone, the titular character operates in a single mode, and the Meredith Willson score is unremarkable. This attempt to shoehorn a 21st century approach into the shell of a 20th century musical founders.

PODCAST: "The Fabulous Invalid" - Episode 65: Priscilla Lopez: What I Did For Love

On this week’s show, Jamie and Rob are joined at Orso Restaurant by “one singular sensation”: Priscilla Lopez! Currently starring in “Grand Horizons” on Broadway, Priscilla talks about her storied career, from her Broadway debut that wasn’t—the two performance flop “Breakfast at Tiffany’s”—to replacement gigs in “Company” and “Pippin”, and her landmark creation of Diana Morales in “A Chorus Line”.

REVIEW: Jerry Herman’s “Mack and Mabel” at Encores!

After 46 years away from New York, audiences at City Center finally have a chance to see what Jerry Herman and Michael Stewart’s 1974 flop “Mack and Mabel” is all about thanks to a new Encores! production. The result is bittersweet—both thrilling and sad. Jerry Herman’s score shines, alongside performances by Douglas Sills, Alexandra Socha, Lilli Cooper, and a top-notch ensemble, and the atmosphere of old Hollywood is superbly spun. Still, this is not a musical masterpiece, but a beloved curiosity—a good musical that almost works. Perhaps someday, it might.

"American Utopia" will return to Broadway this fall; Nathan Lane and Laurie Metcalf to lead a Broadway revival of "Death of a Salesman"; Disney to release a filmed version of "Hamilton" on Broadway; Spike Lee to film "American Utopia"; "Sing Street" cast album comes out March 26th; Rebecca Luker reveals she has been diagnosed with ALS; Jeremy Jordan to replace Gideon Glick in "Little Shop of Horrors"; RIP Kevin Conway, Paula Kelly, Lynn Cohen, and Orson Bean