All in The Fabulous Invalid
On this week’s episode, Rob and Jamie chat with Rob’s high school friend, actor, author, activist, podcaster, and producer Jenna Ushkowitz. Together, they talk about Jenna’s diverse career, from making her Broadway debut at age nine in “The King and I” to her recent Tony Award-winning foray into producing, including her star turn on the hit TV series “glee”.
On this week’s show, Jamie and Rob celebrate the recent release of the “Soft Power” cast album with the musical within a play’s Tony Award winning composer Jeanine Tesori, best known for writing the scores to “Fun Home”, “Caroline, or Change”, and “Thoroughly Modern Millie”, among others. Together, they talk about the unique inception and development of “Soft Power”. Then, Jeanine offers a master class in musical theatre composition as they dive deep into the album with a discussion and analysis of the intention and craft behind each song—from overture to finale!
On this week’s show, Jamie, Rob, and Jennifer chat with “Schitt’s Creek” star Emily Hampshire about her new online talk show “Humpday With Hampshire” that benefits the Actor’s Fund. Together, they discuss Michelle Obama and Dolly Parton, Emily’s love of bitmojis, and what it was like saying goodbye to “Schitt’s Creek” before throwing some Broadway trivia Emily’s way.
On this week’s episode, Jamie and Rob talk about the current state of Broadway amid the Covid-19 pandemic, what’s ahead, and what the road back to “normal” looks like with Dori Berinstein, a four-time Tony Award winning Broadway producer and founder of the Broadway Podcast Network, and Lee Seymour, a Senior Contributor on Arts and Hollywood at Forbes Magazine.
On this week’s show, Jamie and Rob bring you an interview with the extraordinary choreographer Camille A. Brown, who in the last year alone worked on the Metropolitan Opera’s production of “Porgy and Bess”, The Public Theater’s “For Colored Girls Who Have Considered Suicide / When The Rainbow Is Enuf”, and “Toni Stone” for Roundabout, and earned a Tony Award nomination for her work on Manhattan Theatre Club’s “Choir Boy”.
On a special episode Jamie, Rob, and Jennifer salute the Actors Fund with Seth Rudetsky and James Wesley, whose “Stars in the House” has taken the internet by storm; Erich Bergen the brainchild behind the one night reboot of “The Rosie O’Donnell Show”; and the one and only Brian Stokes Mitchell, Chairman of the Actors Fund. In this time of crisis, the Actors Fund is there for *everyone* in the entertainment industry.
For their first “quarantine edition” episode, Jamie, Rob, and Jennifer chat remotely with Tony Award-winning director Rachel Chavkin. As we navigate through this difficult moment, Rachel reflects on what artists can do to help, talks about her latest work, and shares information on some organizations that are doing great things to support artists, theater-makers, and just about everyone else.
On this week’s show, Rob and Jamie are joined at Orso Restaurant by actor, fellow podcaster, and all around fabulous human Ilana Levine. Together, they talk about Ilana’s performance in Richard Greenberg’s “The Perplexed” at Manhattan Theatre Club (MTC), her experience doing the 1999 revival of “You’re a Good Man Charlie Brown”, and her extraordinary podcast, “Little Known Facts”.
On this week’s episode, Jamie and Rob discuss all the shows opening up on Broadway this spring season.
On this week’s show, Jamie and Rob are joined at Orso Restaurant by “one singular sensation”: Priscilla Lopez! Currently starring in “Grand Horizons” on Broadway, Priscilla talks about her storied career, from her Broadway debut that wasn’t—the two performance flop “Breakfast at Tiffany’s”—to replacement gigs in “Company” and “Pippin”, and her landmark creation of Diana Morales in “A Chorus Line”.
On this week’s episode, Rob and Jamie go in deep with all things “Mack & Mabel”, discussing Jerry Herman’s legendary flop as it returns to New York for the first time in 46 years with a new production at New York City Center’s Encores!
On this week’s episode, Jamie and Rob are joined by Ben Brantley, co-chief theater critic for The New York Times. A consummate journalist and celebrated writer, Ben talks about how he came to the Times, his tenure there since 1993, his writing process, what theater criticism means to him, and why he loves the theater.
